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Oct 20, 2026
Business

The Return of the Long Read

After years of cutting every message down to seconds, brands from Rare Beauty to Balenciaga are going to Substack to be read. The prize is attention, not reach.

Published Oct 20, 2026
Read time 3 min
Dispatch No. 13
A newsstand lit by fluorescent tubes, its shelves packed floor to ceiling with magazines and comics.

For years, digital marketing has been getting shorter. A campaign became a post, a post became a Story, and a Story became a few seconds of vertical video. The assumption was simple: attention was disappearing, so brands had to learn to say more with less. Substack is making a case for the opposite.

The platform started as a home for independent newsletters and now hosts writing, podcasts, video and community, all organized around one habit: people choosing what deserves their attention. Readers don’t come across a writer between ads and algorithmic suggestions. They subscribe to specific voices and let them into their inbox. For a brand, that is a different kind of access.

A folded newspaper held up by a passenger in a train carriage.

Social media put enormous audiences within reach and made reaching them unpredictable. One algorithm change can cut visibility overnight, and an ever more crowded feed keeps brands competing for a few seconds of attention. Substack offers a direct line to readers and room to develop an idea. That does not make it an easy place to sell. Its value for marketing may depend on selling as little as possible.

Rare Beauty, Saie and Shopify have all launched publications there, using editorial content in place of the usual promotional newsletter. The goal is less to announce a product than to build a point of view on the world it belongs to. Interviews, essays, recommendations and cultural commentary can give a brand a kind of authority that advertising rarely earns.

Balenciaga has gone further than most. The house keeps its own Substack, where creative director Pierpaolo Piccioli has published personal notes on collections alongside contributions about art and culture. In June 2026 it became the first fashion house in Substack’s native sponsorship program, which lets companies fund independent writers directly. The house has said those partnerships will reach beyond fashion, into music and wellness.

Behind it is a looser idea of influence. A luxury house can stay relevant without talking about luxury, or even about itself. Next to writers whose readers already trust their taste, Balenciaga joins the cultural conversation instead of interrupting it with an ad.

There is another advantage to all those words. Search is changing, and more people now ask AI tools for recommendations and information. A body of searchable editorial writing leaves a far larger trace than a social post that disappears within a day. The long piece is something to read, and it is also the record of what a brand knows and what it stands for.

None of this means Substack is replacing social media. A fifteen-second video still reaches millions of people. But reach and attention are not the same thing.

After years spent learning to catch a glance, brands are relearning what it means to be read. On an internet full of content made to stop the scroll for a second, keeping someone for five minutes may be the greater achievement.

End of dispatch

Business & Lifestyle files are reported by the desk and carry no byline.